Today has been a
set of challenges for me. I am so glad that we have 26 letters in the alphabet
as by the end of my printing session I was at plan E!!
Yesterday I
mono-printed my pages for my book and today was the day I was going to print my
book cloth for my front and back covers. Throughout the week at Yellowstone I
had been collecting flowers and various leaves. I love looking at nature and
the intricate patterns.
I started off by
trying to use magic foam that I had brought from home. The instructions told me
that I only had to heat up the foam and then press my desired object into the
hot foam. After trying multiple times of heating it on the hot plate and
burning myself I resorted to using a hairdryer. Another disaster was about to
strike. I had forgotten that my image was inverted so that when it was printed,
it printed the image but also a square of black as well. This is not what I
wanted.
Practice prints on newsprint |
Plan B then came into action. I started to trim the foam into my
desired shape. When cutting it, I found it hard to cut it into the shape around
the print. I printed it again. However I found that because the room was warm my
image had started to reshape into the original foam. After lots of frustration
and grunts I decided to give up.
The foam printed shapes were still not working!! |
Another plan.
Another letter. Plan C. Still wanting to use my collected foliage I had the
idea of printing with them on to my book cloth. The colour of my book cloth was
a tan colour. I wanted something quite subtle. Practicing on newsprint I found
it really difficult to use them as I had kept them in a bag for over a week and
some of the leaves became very fragile and were hard to handle. Trying both a
brayer and a paintbrush to paint them it became impossible with getting ink
everywhere and not getting the delicate prints that I wanted.
Plan D came to a
head. I spoke to one of my tutors and asked for her advice. She suggested that
I roller a glass paint with ink, place the leaves, flowers, etc and put them
through the press so that they were evenly distributed with ink. I tried this
and worked really well. However I was more inspired by the relief prints that
the leaves, etc had made on the glass plate. I had the idea of using these
relief prints on to my book cloth. However when I printed on to the book cloth,
the brown ink on to the tan coloured book cloth didn’t work as well as I had
hoped. I re inked the glass plate again with a darker shade of brown and tried
again. The outcome was better but it was still not what I was looking for.
The final plan
arose. Plan E. I had tried everything I could think of from printing with the
leaves with both negative and positive shapes. None of it worked how I wanted
it to. I then resorted to doing a mono-print on to white book cloth, using
another image from my previous Photoshop work.
Plan D - relief printed leaves |
After all the
trials today, I am looking forward to constructing my book tomorrow.
Rachel Perry
Whilst Rachel had been suffering her trials, Brandon the print tutor from BYU Idaho has spent yesterday regraining some litho stones for a collaborative lithographic print. This is a laborious process, but everyone is eager to have a go and see how it works. Today he is ready to let us make our images on the stone and he has asked each of us to draw or paint an horizon line that we remember from the trip last week. Clare is one of the first to have a go.......
Rachel Perry
Whilst Rachel had been suffering her trials, Brandon the print tutor from BYU Idaho has spent yesterday regraining some litho stones for a collaborative lithographic print. This is a laborious process, but everyone is eager to have a go and see how it works. Today he is ready to let us make our images on the stone and he has asked each of us to draw or paint an horizon line that we remember from the trip last week. Clare is one of the first to have a go.......
Clare was the first to have a go with the lithography painting and drawing media. |
More of the group's drawings on a much bigger stone. |
Clare, Sue and Jane working on their remembered skyline landscapes for Brandon's Lithograph |
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